But boredom is not tragic. Properly understood, boredom helps us understand time, and ourselves. Unlike fun or work, boredom is not about anything; it is our encounter with pure time as form and content. With ads and screens and handheld devices ubiquitous, we don’t get to have that experience that much anymore. We should teach the young people to feel comfortable with time.
MagiFry is one of the most convenient frying pans on the market, so get yours today!
Change! Christina Kamer is the HR consultant for WATT, an AG Media company based in Rockford. Kamer often quoted the saying, “The only person that likes change is a baby with a wet diaper.” That may not always be true, as there are good changes we choose to make — buying a new house, getting married, taking a new job. Even the good changes can be scary.
Then there are changes about which we have no choice, such as losing a husband, father and grandpa like the Johnson family and many others are dealing with this holiday season. They will be forced to learn to navigate these changes for the rest of their years.
The Stephenson County Farm Bureau will continue to work through the changes that began in April as Bruce was unable to complete his duties as manager. The board of directors will make decisions that will move us forward after losing such a wonderful leader of our county organization. As an organization, so far, we have fielded these changes in a style Bruce was proud of and I am confident we will continue to move forward in a positive direction.
Change was a topic of the speech given by U.S. Secretary of Agriculture Sonny Perdue at the Illinois Agricultural Association annual meeting in Chicago. Perdue, who said he remains bullish on agriculture in many ways, encouraged farmers to remain active and help share agriculture’s story.
“No longer, ladies and gentleman, can we stand behind our farm gates and our farm fences and say, ‘Just let me produce.’ We cannot do that,” Perdue said. “You’ve got to be advocates and there’s no better organization to advocate through than the farm bureau organizations at the state level and at the federal level.”
We live in a changing world of “fake news.” It seems politicians point fingers of blame at each other instead of working together. It’s frustrating. We think it doesn’t do any good for us to contact our legislators or speak our opinion. The biggest thing I have learned in the last nine months is that farmers need to stand up and make their voice heard. As a farm bureau, we need to encourage Stephenson County farmers to do just that. We need you to join FB Act. It is as simple as texting “FARM” to 52886. We need to share the stories of our local farmers, large and small. It can’t hurt to take five minutes out of your day to advocate for agriculture. In fact, it could help! More on this in 2019.
Changes were in store for many of our young farmers this year. It will be the first time in their farm careers that their operations will experience a financial loss. This puts more pressure on a profession that already has enough. The Illinois Farm Bureau reports that farmers have a higher suicide rate than any other occupation, with more than five times the national average.
“Farmers are definitely tough people, and I think it’s harder for them to reach out and ask for help,” said Jackie Jones, Illinois Farm Bureau associate field support director.
The bureau started a Rural Health Committee to address issues in the farming community. They are meeting to come up with ways to lower farmer suicides.
“We definitely just want farmers to know that they’re not alone,” Jones said. “We know times are tough, and we’re here to help any way we can. So (we want to make) sure they are aware of the resources out there, whether it’s contacting the national suicide prevention hotline or talking to friends and family.”
Again, watch for more on local programs in this area in 2019.
As much as everything changes, some things stay the same. We will have many of the same trips this year as in previous years. Due to the circumstances of the week, I didn’t get all of the trip information together or flyers created. That will be my focus next week. If anyone wants to give a gift of a Farm Bureau trip for Christmas, we have gift certificates available. Consider giving the gift of a membership to the SC Farm Bureau. You would be giving a gift of a year of discounts.
Holiday parties, holiday travels, winter weather conditions — stay safe, put down the cell phones, concentrate on driving and share the road!
This is the brainpickings.org weekly digest by Maria Popova. If you missed last week’s edition — Anne Lamott on forgiveness, self-forgiveness, and the relationship between brokenness and joy, Nabokov on wonder, artists celebrate the love of books — you can catch up right here. And if you’re enjoying this newsletter, please consider supporting my labor of love with a donation – each month, I spend hundreds of hours and tremendous resources on it, and every little bit of support helps enormously. If you already donate: THANK YOU.
Four months before her twentieth birthday, Emily Dickinson (December 10, 1830–May 15, 1886) met the person who became her first love and remained her greatest — an orphaned mathematician-in-training by the name of Susan Gilbert, nine days her junior. Throughout the poet’s life, Susan would be her muse, her mentor, her primary reader and editor, her fiercest lifelong attachment, her “Only Woman in the World.”
I devote more than one hundred pages of Figuring to their beautiful, heartbreaking, unclassifiable relationship that fomented some of the greatest, most original and paradigm-shifting poetry humanity has ever produced. (This essay is drawn from my book.)
Susan Gilbert had settled in Amherst, to be near her sister, after graduating from the Utica Female Academy — one of a handful of academically rigorous educational institutions available to women at the time. She entered Dickinson’s life in the summer of 1850, which the poet would later remember as the season “when love first began, on the step at the front door, and under the Evergreens.”
Poised and serious at twenty, dressed in black for the sister who had just died in childbirth and who had been her maternal figure since their parents’ death, Susan cast a double enchantment on Emily and Austin Dickinson. Sister and brother alike were taken with her poised erudition and her Uranian handsomeness — her flat, full lips and dark eyes were not exactly masculine, her unchiseled oval face and low forehead not exactly feminine.
“Best Witchcraft is Geometry,” Emily Dickinson would later write. Now both she and her brother found themselves in a strange bewitchment of figures, placing Susan at one point of a triangle. But Emily’s was no temporary infatuation. Nearly two decades after Susan entered her heart, she would write with unblunted desire:
To own a Susan of my own
Is of itself a Bliss —
Whatever Realm I forfeit, Lord,
Continue me in this!
A tempest of intimacy swirled over the eighteen months following Susan’s arrival into the Dickinsons’ lives. The two young women took long walks in the woods together, exchanged books, read poetry to each other, and commenced an intense, intimate correspondence that would evolve and permute but would last a life- time. “We are the only poets,” Emily told Susan, “and everyone else is prose.”
By early 1852, the poet was besotted beyond words. She beckoned to Susan on a Sunday:
Come with me this morning to the church within our hearts, where the bells are always ringing, and the preacher whose name is Love — shall intercede for us!
When Susan accepted a ten-month appointment as a math teacher in Baltimore in the autumn of 1851, Emily was devastated at the separation, but tried to keep a buoyant heart. “I fancy you very often descending to the schoolroom with a plump Binomial Theorem struggling in your hand which you must dissect and exhibit to your uncomprehending ones,” she teased in a letter. Susan was science personified, capitalized — she would haunt Dickinson’s poems for decades to come as “Science.”
In a comet of a letter from the early spring of 1852, eight months into Susan’s absence, Emily hurls a grenade of conflicted self-revelation:
Will you be kind to me, Susie? I am naughty and cross, this morning, and nobody loves me here; nor would you love me, if you should see me frown, and hear how loud the door bangs whenever I go through; and yet it isn’t anger — I don’t believe it is, for when nobody sees, I brush away big tears with the corner of my apron, and then go working on — bitter tears, Susie — so hot that they burn my cheeks, and almost scorch my eyeballs, but you have wept much, and you know they are less of anger than sorrow.
And I do love to run fast — and hide away from them all; here in dear Susie’s bosom, I know is love and rest, and I never would go away, did not the big world call me, and beat me for not working… Your precious letter, Susie, it sits here now, and smiles so kindly at me, and gives me such sweet thoughts of the dear writer. When you come home, darling, I shan’t have your letters, shall I, but I shall have yourself, which is more — Oh more, and better, than I can even think! I sit here with my little whip, cracking the time away, till not an hour is left of it — then you are here! And Joy is here — joy now and forevermore!
That year, in a Prussian lab, the physician and physicist Hermann von Helmholtz measured the speed of nerve conduction at eighty feet per second. How unfathomable that sentiments this intense and emotions this explosive, launched from a mind that seems to move at light-years per second, can be reduced to mere electrical impulses. And yet that is what we are — biomechanical creatures, all of our creative force, all of our mathematical figurings, all the wildness of our loves pulsating at eighty feet per second along neural infrastructure that evolved over millennia. Even the fathoming faculty that struggles to fathom this is a series of such electrical impulses.
The electricity of Dickinson’s love would endure, coursing through her being for the remainder of her life. Many years later, she would channel it in this immortal verse:
I chose this single star
From out the wide night’s numbers —
Sue — forevermore!
But now, in the dawning fervor of early love, forevermore collides with the immediacy of want. Midway through her spring outpouring, Emily suddenly casts Susan in the third person, as if beseeching an omnipotent spectator to grant her desire in the drama of their impending reunion:
I need her — I must have her, Oh give her to me!
The moment she names her longing, she tempers its thrill with the lucid terror that it might be unspeakable:
Do I repine, is it all murmuring, or am I sad and lone, and cannot, cannot help it? Sometimes when I do feel so, I think it may be wrong, and that God will punish me by taking you away; for he is very kind to let me write to you, and to give me your sweet letters, but my heart wants more.
Here, as in her poetry, Dickinson’s words cascade with multiple meanings beyond literal interpretation. Her invocation of “God” is not a cowering before some Puritanical punishment for deviance but an irreverent challenge to that very dogma. What kind of “God,” she seems to be asking, would make wrong a love of such in nite sweetness?
Four years earlier, during her studies at Mount Holyoke — the “castle of science” where she crafted her stunning herbarium — Emily had begun giving shape to the amorphous doubt about the claims of religion that had been gnawing at her since childhood — doubt she would later immortalize in verse:
It troubled me as once I was —
For I was once a child —
Deciding how an atom — fell —
And yet the heavens — held.
Facing her desire for Susan, her deepest fear was not punishment from “God” but that her wayward heart was its own retribution — as well as its own reward. She writes plaintively that heated summer:
Have you ever thought of it, Susie, and yet I know you have, how much these hearts claim; why I don’t believe in the whole, wide world, are such hard little creditors — such real little misers, as you and I carry with us, in our bosom every day. I can’t help thinking sometimes, when I hear about the ungenerous, Heart, keep very still — or someone will find you out! . . . I do think it’s wonderful, Susie, that our hearts don’t break, every day . . . but I guess I’m made with nothing but a hard heart of stone, for it don’t break any, and dear Susie, if mine is stony, yours is stone, upon stone, for you never yield, any, where I seem quite be own. Are we going to ossify always, say Susie — how will it be?
There is palpable restlessness in Emily’s oscillation between resignation and demand, between love’s longing to be unmasked and the fear of being found out. Later that month, she exhorts Susan: “Loved One, thou knowest!” — an allusion to Juliet’s speech in Romeo and Juliet: “Thou knowest the mask of night is on my face.”
By June, anticipating Susan’s return from Baltimore in three weeks, Emily is pining with unbridled candor:
When I look around me and find myself alone, I sigh for you again; little sigh, and vain sigh, which will not bring you home.
I need you more and more, and the great world grows wider . . . every day you stay away — I miss my biggest heart; my own goes wandering round, and calls for Susie… Susie, forgive me Darling, for every word I say — my heart is full of you . . . yet when I seek to say to you something not for the world, words fail me… I shall grow more and more impatient until that dear day comes, for til now, I have only mourned for you; now I begin to hope for you.
She ends her letter with aching awareness of the dissonance between her private desire and the public norms of love:
Now, farewell, Susie . . . I add a kiss, shyly, lest there is somebody there! Don’t let them see, will you Susie?
Two weeks later, with Susan’s return now days away, her anticipatory longing rises to a crescendo:
Susie, will you indeed come home next Saturday, and be my own again, and kiss me as you used to? . . . I hope for you so much, and feel so eager for you, feel that I cannot wait, feel that now I must have you — that the expectation once more to see your face again makes me feel hot and feverish, and my heart beats so fast — I go to sleep at night, and the first thing I know, I am sitting there wide awake, and clasping my hands tightly, and thinking of next Saturday… Why, Susie, it seems to me as if my absent Lover was coming home so soon — and my heart must be so busy, making ready for him.
Dickinson would frequently and deliberately reassign gender pronouns for herself and her beloveds, recasting her love in the acceptable male-female battery of desire. Throughout her life, she would often use the masculine in referring to herself — writing of her “boyhood,” signing letters to her cousins as “Brother Emily,” calling herself a “boy,” “prince,” “earl,” or “duke” in various poems, in one of which she unsexes herself in a violent transfiguration:
Amputate my freckled Bosom!
Make me bearded like a Man!
Again and again, she would tell all the truth but tell it slant, unmooring the gender of her love objects from the pronouns that be t their biology. Later in life, in flirting with the idea of publication, she would masculinize the pronouns in a number of her love poems — “bearded” pronouns, she called these — to fit the heteronormative mold, so that two versions of these poems exist: the earlier addressed to a female beloved, the later to a male.
That insufferable spring, she had already declared to Susan that her “heart wants more.” Twenty Augusts after they met, Dickinson would write:
Enough is so vast a sweetness, I suppose it never occurs, only pathetic counterfeits.
But when Susan returned from Baltimore on that long-awaited Saturday, something had shifted between them. Perhaps the ten-month absence, filled not with their customary walks in the woods but with letters of exponentially swelling intensity, had revealed to Susan that Emily’s feelings for her were not of a different hue but of a wholly different color — one that she was constitutionally unable to match. Or perhaps Emily had always misdivined the contents of Susan’s heart, inferring an illusory symmetry of feeling on the basis not of evidence but of willfully blind hope.
Few things are more wounding than the confounding moment of discovering an asymmetry of affections where mutuality had been presumed. It is hard to imagine how Dickinson took the withdrawal — here was a woman who experienced the world with a euphoria of emotion atmospheres above the ordinary person’s and who therefore likely plummeted to the opposite extreme in equal magnitude. But she seems to have feared it all along — feared that her immense feelings would never be wholly met, as is the curse of those who love with unguarded abandon. Five months earlier, she had written to Susan:
I would nestle close to your warm heart… Is there any room there for me, or shall I wander away all homeless and alone?
She suspected, too, that she might injure — and not only herself — with the force of her love:
Oh, Susie, I often think that I will try to tell you how dear you are . . . but the words won’t come, tho’ the tears will, and I sit down disappointed… In thinking of those I love, my reason is all gone from me, and I do fear sometimes that I must make a hospital for the hopelessly insane, and chain me up there such times, so I won’t injure you.
Even in her ardent anticipatory letter penned before Susan’s return, she questions for a moment whether the love that stands as the central truth of her daily being is real:
Shall I indeed behold you, not “darkly, but face to face” or am I fancying so, and dreaming blessed dreams from which the day will wake me?
Now she had been awakened — not rudely, but unmistakably and irreversibly. In the anxious insistence of her entreaty is the sorrowful sense that Susan is slipping away from her — and toward Austin, who commenced an open courtship of her.
That summer, Emily Dickinson cut off her auburn hair.
The following autumn, Susan Gilbert married Austin Dickinson, largely to be near Emily, and they moved into the Evergreens — the house erected for the newlyweds by Austin and Emily’s father, across the lawn from the Homestead, the house where the lovesick poet lived.
A corridor denuded of grass soon formed between the Homestead and the Evergreens as Emily and Susan traversed the lawn daily to see each other or to press into the other’s hand a letter unpinned from the bosom of a dress. A “little path just wide enough for two who love,” Dickinson called it. Over the next quarter century, 276 known poems would travel between their homes — some by hand and foot, but many by post. I have often wondered what prompted the poet to head for the mailbox and not the hedge, stuffing her sentiments into an envelope addressed to a house a stone’s throw from her own. And yet the heart is not a stone — it is a thing with feathers.
“She loved with all her might,” a girlhood friend of Dickinson’s would recall after the poet’s death, “and we all knew her truth and trusted her love.” No one knew that love more intimately, nor had reason to trust it more durably, than Susan. Where Austin’s love washed over her with the stormy surface waves of desire, Emily’s carried her with the deep currents of devotion — a love Dickinson would compare to the loves of Dante for Beatrice and Swift for Stella. To Susan, Dickinson would write her most passionate letters and dedicate her best-beloved poems; to Susan she would steady herself, to her shore she would return again and again, writing in the final years of her life:
Show me Eternity, and I will show you Memory —
Both in one package lain
And lifted back again —
Be Sue — while I am Emily —
Be next — what you have ever been — Infinity.
Something of the infinite would always remain between them. Thirty years into the relationship, Susan would give Emily a book for Christmas — Disraeli’s romance novel Endymion, titled after the famous Keats poem that begins with the line “A thing of beauty is a joy for ever” — inscribed to “Emily, Whom not seeing, I still love.” Their uncommon relationship, the splendors and sorrows of which I explore further in Figuring, would become the pulse-beat of Dickinson’s body of work, which radicalized its era and forever changed the landscape of literature — a shimmering testament to the fact that love, longing, and the restlessness of the human heart are the catalyst for every creative revolution.
Hermann Hesse on Hope, the Difficult Art of Taking Responsibility, and the Wisdom of the Inner Voice
“Character — the willingness to accept responsibility for one’s own life — is the source from which self-respect springs,” Joan Didion wrote in her timeless essay on self-respect. And yet this willingness does not come naturally to the human animal. We glance left and right, we peer above and below, placing the responsibility for our suffering everywhere but at the center of our own being. We treat the unhandsome consequences of our actions as something that happens to us, at us, by some wretched external causality. In the process, the tick of our self-righteousness grows fatter and fatter on bloodthirsty blame.
The great German poet, novelist, and painter Hermann Hesse (July 2, 1877–August 9, 1962) offered an antidote to this all too human tendency in one of his least known pieces of writing, composed as the world was coming back to consciousness after the First World War.
The war had violently ejected Hesse from the exultations of his youth. But he never lost his idealism — he became an impassioned advocate for pacifism and its wellspring in the mindfulness of individuals. Over the next three decades, through the aftermath of one devastating war and the harrowing actuality of another, Hesse composed a series of remarkable, clear-minded, largehearted essays, letters, and pamphlets condemning his compatriots for the unthinking herd mentality that had allowed Hitler’s rise to power and inviting what he saw as the only salvation for them: a new ethos of responsibility, beginning at the personal level upon which the political rests. He was especially invested in invigorating the young — the next generations who had inherited a burden not their own and upon whose shoulders the task of redemption fell with spirit-crushing weight.
These pieces were eventually collected in 1946 — the year Hesse received the Nobel Prize — and later published as If the War Goes On… (public library). Among them is the stirring “Letter to a Young German,” written to a dispirited youth in 1919 — a decade before the publication of Rilke’s almost spiritual classic Letters to a Young Poet, and brimming with kindred consolation for the transcendent traumas of living. This was a momentous year for Hesse. Having recently lost his marriage to the fallout of his wife’s acute mental illness, he had just left Berlin to settle alone in a small farmhouse in Switzerland. WWI had just ended, having begun as “the war to end all wars,” instead netting millions of deaths and laying the gruesome groundwork for future genocides. That year, Hesse signed Romain Rolland’s Declaration of the Independence of the Mind — the extraordinary manifesto for critical thinking and pacifism, co-signed by such luminaries as Albert Einstein, Bertrand Russell, Rabindranath Tagore, Jane Addams, and Upton Sinclair.
Hesse addresses his despairing young correspondent while himself perched on this precipice between optimism and despair. Three years before Bertrand Russell made his timeless case for what he termed “the will to doubt,” Hesse writes:
You write me that you are in despair and do not know what to believe, what to hope. You do not know whether or not there is a God. You do not know whether or not life has any meaning, whether or not love of country has a meaning, whether, in the wretched condition of the world, it is better to strive for spiritual goods or merely to fill your belly.
I believe your state of mind and soul to be the right one. Not to know whether there is a God, not to know whether there is good and evil, is far better than to know for sure.
More than half a century before Jacob Bronowski admonished against the dark side of certainty, Hesse offers a sobering antidote to the destructive self-righteousness our certitudes delude us into:
Five years ago, if you remember, I should say you were pretty well convinced there was a God, and above all you had no doubt as to what was good and what was evil. Naturally you did what you thought was good and marched off to war. For five years now, the best years of your youth, you have kept on doing “good”: you have fired a gun, gone over the top, lounged about in barracks and mud holes, buried comrades or bandaged their wounds. And little by little you began to doubt the good, to suspect that the good and glorious occupation you were engaged in was fundamentally evil, or at the very least stupid and absurd.
And so it was. Evidently the good you were so sure of at the time was not the right good, the good that is indestructible and timeless; and evidently the God you knew in those days was not the right God… Hundreds of thousands of bloody battle sacrifices were offered up to him, and in his honor hundreds of thousands of bellies were slit open, hundreds of thousands of lungs torn to pieces; he was more bloodthirsty and brutal than any idol…
With an eye to the tragic human tendency toward perpetrating wrong under the trance of self-righteousness — a tendency as devastating in the personal realm as it is in the political — he holds up a discomfiting mirror to the self-righteous:
Has anyone stopped to consider, and to wonder at the fact, that in those four years of war our theologians buried their own religion, their own Christianity? Committed to the service of love, they preached hatred; committed to the service of mankind, they mistook for mankind the authorities who paid them.
Decades before James Baldwin observed that “it has always been much easier (because it has always seemed much safer) to give a name to the evil without than to locate the terror within” and a century before Anne Lamott admonished against how self-righteousness syphons self-respect, Hesse contemplates “the disastrous art of putting the blame on others when we are in trouble” and exhorts for personal responsibility over self-righteous blamefulness:
We are all of us equally guilty and innocent of the fact that our faith was so weak and our officially patented God so ruthless, that we were so incapable of distinguishing war and peace, good and evil. You and I, the Kaiser and the priest, all played a part; we have no call to accuse one another.
It is childish and stupid to ask whether this one or that one is guilty. I propose that for one short hour we ask ourselves instead: “What about myself? What has been my share of the guilt? When have I been too loudmouthed, too arrogant, too credulous, too boastful? What is there in me that may have helped… all the illusions that have so suddenly collapsed?”
Echoing Emerson’s foundational ideas about nonconformity and self-reliance — “Trust thyself: every heart vibrates to that iron string,” the Sage of Concord, whom Hesse read and greatly admired, had written in the previous century — Hesse offers his young correspondent the only real and reliable source of comfort:
If you are now wondering where to look for consolation, where to seek a new and better God, a new and better faith, you will surely realize, in your present loneliness and despair, that this time you must not look to external, official sources, to Bibles, pulpits, or thrones, for enlightenment. Nor to me. You can find it only in yourself. And there it is, there dwells the God who is higher and more selfless… The sages of all time have proclaimed him, but he does not come to us from books, he lives within us, and all our knowledge of him is worthless unless he opens our inner eye. This God is in you too. He is most particularly in you, the dejected and despairing… Search where you may, no prophet or teacher can relieve you of the need to look within… Don’t confine yourself… to any other prophet or guide. Our mission is not to instruct you, to make things easier for you, to show you the way. Our mission is solely to remind you that there is a God and only one God; he dwells in your hearts, and it is there that you must seek him out and speak with him.
To hear and heed that inner voice — the sound-minded, pure-hearted critical thinking unmuffled by the shriek of self-righteousness, unlulled by herd mentality, unsullied by external manipulation or internal self-delusion — is perhaps the most consistent challenge we face throughout our lives, playing out in myriad forms across every realm of existence.
Complement with E.B. White’s lovely letter to a man who had lost faith in humanity and Seamus Heaney’s splendid advice to the young, then revisit Hesse on why we read and always will, the three types of readers, savoring the little joys of life, and what trees teach us about belonging and life.
“Empty Your Cup: A Zen Proverb on Opening Yourself to New Ideas” by Melissa Chu https://link.medium.com/98qbFQG4GS
the situation is “not fishy”…there is something “black in the lentils.” (Daal main kuch kala hain).
Only jeera? Not kheera?
National security is a punching bag for Congress: PM Modi
via NaMo App
PM Modi urges TN BJP workers to enroll more people for central schemes
via NaMo App
BJP, NDA have become preferred choice of northeast: PM Narendra Modi on win in Assam panchayat polls
via NaMo App
It’s that time of the year again. Merely 15 days left, and all of us are in the mood to celebrate. Be it with a few close friends and family, or with a large gang of people, December is truly the most festive of months.
December is also possibly the most reflective month for a lot of us. We reevaluate our priorities, we retrospect and introspect our goals for the next year, and of course, reflect upon the year that was.
Often, time flies, and at the end of the year, you may be stumped at the speed that it flew by. But that is the true indicator of success, isn’t it? That you lived so fully, you had no time to pause and check what day or date you were at.
How was your 2018? This Sunday, let’s reflect and celebrate ourselves, and the year that was.
Stories you shouldn’t miss
Dilip Kapur, President and Founder of Hidesign, melds ecology, innovation and sustainability not only in his work but also in life. When he is not working, the man behind the iconic Hidesign loves to take long walks in the forests of Auroville with his dogs, rides his Royal Enfield Bullet, enjoys a glass of fine red wine or take off to explore the world. What drives the force behind Hidesign?
It’s that time of the year when everyone sits back to reflect on the year gone by and what they should do next. In our Yearender article, we asked some famous founders what they’ve been thinking about as 2018 comes to a close. Check out what they had to say.
It’s important to understand the brain. We’re often blissfully unaware of its complexities and possibilities. The important fact that we need to keep in mind is: our brains are not unmalleable. There are certain steps we can take to improve the performance of the brain ranging from meditation, a sound sleep and exercise.
A person’s perception of the world is influenced by his or her upbringing, awareness, preferences and aspirations. How will you use this tool to build a successful organisation? Check out what our columnists have to say and don’t miss the contest at the end of the article too.
“Happiness lies in pure contentment.” That’s the mantra. Ajay Gowda is the Managing Director and Co-founder of Byg Brewski Brewing Company, situated in Sarjapur and Hennur. In our Proust Questionnaire, he speaks of his loves, his regrets, his heroes, his ideas and much more.
As another year passes us by, plans are being made to celebrate the start of a new year. Be it with partying with friends in a whole new country or spending a quiet time with the family, everyone wants to do something special. We pick some of the hottest places to be this New Year’s Eve.
The Viacom18 Startup Engagement Program – VStEP is an initiative by Viacom18 to collaborate with growth stage startups wherein select startups will get to work with internal business units of Viacom18 and jointly deliver innovation pilots across various business operations, verticals and functions. A successful pilot opens the window to a potential long-term strategic partnership with Viacom18. Applications close on December 23. Apply here.
Want to overhaul your sales strategy & drive-up sales volumes? Learn how, from Hitesh Oberoi, MD & CEO, Info Edge as he talk about Naukri: one of the most successful sales-driven organizations, in this episode of #BuildingItUp with Bertelsmann
“Feeling ‘Weird’ is a Necessary Step to Reaching Success” by Melissa Chu https://link.medium.com/Pu12VxPDGS
“The $400 Rape” by Jessica Valenti https://link.medium.com/4j9CYpNCGS
Read ‘Em and WeepMeaning: Often said by the winner in poker, as the others ‘weep’ over the loss.
Put a Sock In ItMeaning: Asking someone to be quiet or to shut up.
Poke Fun AtMeaning: Making fun of something or someone; ridicule.
Don’t Look a Gift Horse In The MouthMeaning: When you receive a gift from someone, do not be ungrateful.
Everything But The Kitchen SinkMeaning: Including nearly everything possible.
Rain on Your ParadeMeaning: To spoil someone’s fun or plans; ruining a pleasurable moment
Eat My HatMeaning: Having confidence in a specific outcome; being almost sure about something.
Right Out of the GateMeaning: Right from the beginning; to do something from the start.
Fool’s GoldMeaning: Iron pyrities is a worthless mineral that resembles gold.
Back To the Drawing BoardMeaning: Starting over again on a new design from a previously failed attempt.